According to the Chinese philosophy of Taoist metaphysics, the everlasting conflict and duality between good and bad are not real. From this, the symbol of Yin and Yang comes along and describes how dichotomous moral judgments can be. And seemingly two opposing forces don’t repel but complement each other. However hazardous they are to one another but in the process of the conflict, the duality becomes One and creates a globe inside its own.
Vikram Vedha deals with some very basic human psyche which plays a silent role in each of our actions. It deals with the intricacies of both the worlds of thesis and antithesis. From the very first encounter between Vikram and Vedha the juxtaposition between good and evil is drawn by the apparent shirt-colors they wore; Vikram’s white shirt defines the obvious goodness in human nature for which he stands in the world of thesis and sleeps peacefully at night, being assured that his pursuits are for nothing but righteousness and justice. On the other hand, Vedha’s black shirt is supposed to represent the terrain of the human psyche which has a reflection of darkness and wrongdoing. This is the scene where Vedha first comes in front Vikram and offers to tell him a story much like ‘Betal’ telling Vikramaditya a story. So it is pretty evident that in this scene the prominence of the two extreme worlds is shown and divided by a line in between. As Vikram approaches Vedha about his sudden appearance at the police station Vedha offers to tell him the story of his life. But the only thing he keeps on implying to Vikram’s discomfort, that they both are same: they both are criminals, both are murderers.
Madhavan’s brilliant portrayal of Vikram renders a sense of draconian measures of what is right and what is wrong. The fine line between the good and evil might be prominent to the eyes of an ignorant, but as we come in the light from the shadows of illusion or in the case of Vikram, the shadows of denial, the line seems to fade away and becomes obliterated.
In fact, I was having this fascinating discussion with my friend who mentioned the character of ‘Vedha’ to be the villain in the story, and I am sure most of us who watched the movie imaged him in a similar manner. But, an antagonist is someone who stands as a hazard in the way to the development of the plot can be called a villain. Knowing this, those of you who have watched the movie can you call Vedha, a villain? Does he stand in the way of Vikram’s pursuit of truth or rather compliments it?
Vikram is absolutely unaware after the completion of the first story, that he is also playing the ‘instrument’ by taking a stroll in Vedha’s ventures. Vedha sets in a see-saw motion where Vikram is unaware of his stance and plays along, only to dilute the line between right and wrong. This instance again brings back the reference of the folklore of ‘Vikram Aur Betal’ where Vedha is constantly diminishing Vikram’s notion of being on the side of justice and honesty.
In the second story, Vikram is placed even further from this notion. Pulli’s unjust death leading to the death of Officer Simon creates an enormous ruckus when Vedha walks him through the point he is shaken to his core, knowing Pulli was an innocent young fellow and his blood is on his hands. Vedha takes his second escape by creating another commotion in the plot. In between all the turbulence of the events Vikram focuses on his motorcycle and tries to fix it, since it wasn’t being ridden for long, and to our surprise he receives a piece of machinery from Vedha which fixes it, at last, giving us the obvious hint that Vedha is the key to Vikram’s mind and vice-versa.
According to the folklore of ‘Vikram and Betal,’ it is described how king Vikramaditya is cursed by a monk, which entrails Betal to hang over his shoulder and to riddle him with different questions of challenges. At the end, we discover the police force is acting as the puppet masters, and how they plot Vikram to kill Vedha. On the final encounter like the color of their shirts, Vikram and Vedha becomes one globe, yet stand as the alter ego of the other. But when Vikram and Vedha becomes one, who belongs neither from the world of thesis nor the antithesis, he belongs to nothing but chaos. Chaos to the world and to himself. At the end, two of them at gunpoint with one another show the everlasting conflict.
The movie by its marvelous screenplay and how a folklore turns into a thriller amazes me to its best. I recommend all of you to please watch it. So, those you haven’t watched it yet, take some data out of those free gigabytes and get the torrent – you will be fascinated.
Article by Srobona Choudhury.