Jab Harry Met Sejal : Nonchalant Plot only lightened up by SRK-Anushka! 

Jab Harry Met Sejal is a long awaited meeting. A meeting of old times. Here is ShahRukh Khan, not of recent times, not the SRK – The King of Bollywood, The Badshaah – but that man who could tune a love story with his own personal chords, who could look into the eyes of a girl and express a million emotions all together, who could speak to the air of the mustard fields of Punjab, who could rule the heart of Sinorita on the screen, and thousands of Sinoritas off the screen.  This movie is the meeting of that particular ShahRukh Khan with his audience, with his fans – who had been waiting long to cherish those unsaid moments , so easily flushed out and blushed out  by a look, a stare, a glance, a move. Yash Chopra’s ShahRukh is back in the form of Harry and Imtiaz Ali, thankfully, uses ShahRukh’s personal property – his romance – as the main asset of the film. But he chooses a wrong film to do so.

JHMS contains one of the simplest of stories in the industry – very much recognizable, nothing extra-ordinary and quite predictable. Yet, it is said that it has been made to win hearts. Its soothing, vulnerable, light-hearted, and only at points you can’t help but sit there and take all of it inside, bit by bit, sip by sip. . Imtiaz Ali makes a strong start to the film. Within few scenes, it will grip you up. You will be well equipped with the theme and there is everything that is required in a beginning of a rom-com. But the movie falls after a while and suddenly, becomes monotonous. Added to it, is a continuous sequence of 3 songs which make you feel like you have been watching YouTube videos in a cinema hall. Fortunately, there is the intermission and Ali learns from his mistake pretty quickly. The result is a much better paced 2nd half and JHMS again picks up the tempo and here is where there is plenty to swoon for. But still the story doesn’t go anywhere and you know how it ends already. ShahRukh Khan at his romantic best with a fairy-alike Anushka Sharma. Here is where your original journey gathers little pace with those two on screen – your journey of love, heartbreaks, ‘sejal’ of emotional connections and an intense longing for a “happy ending”.  Imtiaz Ali hasn’t worked on anything here basically!

This is an age-old Indian love-story shot in Europe and Ali doesn’t complicate matters here and that is why the movie looks simpler yet calm, and nothing to beat the craze. The idea of “what you seek is seeking you” becomes clearer and you are guided to an ending, which by now you can have guessed (if you have been watching Bollywood for long enough). There is nothing of Tamashaa’s literature here, but a sparkling, loving chemistry.

Cinematography and camera work are simple too, but very bright, less symbolic and brilliant play of some amazing night shots. Locations all around Europe will make you long for a long paid holiday.

Anushka Sharma is like a fairy-dream lady here. She is fantastic throughout. Steals ShahRukh’s thunder at some places even. Matching a matured ShahRukh Khan, known for his everlasting romance, she is at the same tempo – even higher at places. She owns Sejal and true to her character name – she is like those waves of the river – with which you sway along. She looks immensely beautiful and is so at home with this genre. You just want her to be with you all the time on the screen.

ShahRukh Khan comes back to his comfort zone (a weak zone for all the girls around) from the psychological and mafia genres of Fan and Raees respectively – and sorry to say – he looks so better here in his own shoes. It may have taken time to see him back here again but he can rule a full time-space of 143 minutes without packing a punch, shooting a bullet or delivering a plebeian “Siti wala” dialogue. His eyes speak a thousand unsaid words. His expressions can build a storm in the calmness of hearts and he is here doing what he does best – mohabbat –  who can make thousands sing “humko hum hi se churalo” . His age although shows up on his face and there is perhaps not a place to hide from that. Sadly there is no plot to back him up and carries too much, burden shows up!

A very little (and very thankfully so) side cast – which again keeps to the simplicity. Music is good, loud, but very badly placed – congested. Run-time could have been lesser too.

Go with your “near and dear” ones to your nearest theatres, get away from over the top plots of intense drama all around – this will not hurt your brain muscles, but will surely tickle some of your heart’s – and how familiar the whole plot will seem – it will be a comfortable place to find yourself in, maybe – check out whether you, too, are seeking what seeks you. Go Go, begin the search soon, help your Sejal to find a ring, if you already have found your Sejal, that is.

My rating 2.5/5.

Article by Anish Banerjee.