These 140 minutes are very new to Bengali Cinema – very brave in Bengali Cinema and very spectacular for even world cinema. Kamaleshwar Mukherjee takes upon a huge task – a task of taking a group of bengalis for a jaw-dropping tour, where every scene is an ecstasy of places of which you have only read about or fantasized visiting. This is a setting of a new benchmark – the dimensions of this film are huge, the grandeur is marvelous – the adventure is exciting.
At a time when Tollywood is on a roll with gems being produced one after another – Mukherjee takes up the challenge of taking his hero back to where he left him at “Chander Pahaar”. This time, a tribute and penned by the director himself, Amazon Obhijaan is both a worthy sequel and a noble tribute to Bibhuti Bhusan Bandyopadhyay. This is one of those movies, where the attempt matters more than the product. He puts his faith on Dev, and except the pronunciations here and there, Dev doesn’t disappoint much (with his recent touch of form). The story is no less an epic, but is nagging – it is slow and very detailed. Kamaleshwar with his own voice as an omnipresent narrator, helps to build up the pace but at certain points, the travel is hectic, and you start longing to reach the destination rather than enjoying the journey. Half of the words are lost in translation – either because foreigners speaking in awful Bengali or Dev speaking in a pretty bad english accent.
Coming to the story, this surely took a lot of time planning the whole map out – once the ship sails out, it was all in the hands of Mukherjee – there was great freedom in the movements and he could have taken this anywhere. But he takes Shankar for a pre-planned trip to the rain-forests of Amazon, for an exploration of an imaginary ‘gold’ city – yes, for real for the reel. Shot extensively across Brazil, this is the first Indian movie to be attempted there. This is a visual treat for Christmas and Mukherjee is the Santa! Dev, returning as Shankar, is very much at home. An actor with a meteoric rise by his side, is on a golden touch. Fighting the trolls and the memes of the social media, he performs where it matters. Its time, we start acknowledging his efforts now. His pronunciation still needs a lot of improvement, but he has moved away from “plabian” show of muscles to a classy show of hard-work.
It is sad how directors take it for granted that Bengali audience will not be able to understand english – and hence you see foreigners speaking in a cliched disgusting bengali tongue and Shankar speaking bengali in even, Brazil and translating every other english word to bengali. Background score is gorgeous, it perhaps plays as a character – enhancing the feel of the whole building up. There are over-stretched scenes, unnecessary conversations and is 20 minutes too long. For the side cast, Svetlana Gulakova is brilliant and David James is bit too dramatic. Amazon Obhijaan is one of its kind – with a better use of CGI and VFX, this would have ranked amongst the best, but this is no less – it misses the mark in some areas, but the courage to bring this out in a regional film is brilliant, and there is where, Mukherjee will win hearts and hall collections.
Just at the right time, when the city starts celebrating and you are in an year ending mood, you will love this extravaganza to the El Dorado. You will see visuals which will stir you, frighten you and pump you up for the right kind of winter. This is movie making in a state of hyperbole. The winds and the tides are in favour now – board the boat, raise the sails of Bengali cinema, and sail away into a delightful embroidery of a stunning journey. Accompany Shankar and Co. to a fantasy – the dream may flatter, but the motive will not falter.
My Rating 3/5.
Article by :- Anish Banerjee.