Amit V.Masurkar puts up a whole democracy on a trial – files and fights a strong case against his own people, comes out winning – tearing down the facade, and destroying a masquerade party of a nation’s celebration of being the “largest democracy”. It has been described as a “black comedy” – here, the black is too strong to envelop a tri-colour into it. The film comes from a production house, full of national awards. This house has been gifting us with gems, and this, though not as strong as the gravitational pull of Newton’s invention, but the effect too strong. This is the high-dose anti-biotic that a nation needed, to come out of the foolery – but the question is, can the Judwaa population allow the mockery to be stopped?
The story isn’t something of a genius, it is simple. Setting, even simpler, but Masurkar makes sure, it’s enough. Loaded with sarcasm, puns and a delightful dialogue writing, the story of an election being conducted in a Maoist territory, turns out to be an uncomfortable yet brilliant 106 minutes, where your own nation is put up on a mirror show.
Rajkummar Rao, is an actor, who outperforms himself in each of his films. He is a pocket-sized dynamite and he never dissapoints. With very able support from Pankaj Tripathi, Rao carries the film on his shoulders – the burden was massive, given that the film contains a very nonchalant cast line. Newton, both the movie and the character, is bold, fearless and haunting. It lights up a dark section of this vast society, which remains in the shadow of violence, madness, otherness, oppression.
Music, mostly background, is used beautifully, totally in accord with the tone. The not-so-famous cast, being used, is wonderful to look at and to devour into. Performances are stupendous. Camera work, specially framing of scenes, is as good as it can get.
This doesn’t aim at providing a solution to the permanent solutions to the problems of this democracy and its system, but just shows them as they are and in doing so, it hits pretty hard at the right places. Newton has the feel of Samuel Beckett, where we wait for nothing to happen, and nothing does happen, but that ‘nothing’ is the message where we arrive at, at the end – and its not a happy one – rather, its a mockery of all happy-endings around and we know that if there was a Newton 2, the things would have remained the same – there is zero progress.
The film is slow in its construction. Too many scenes have been used up in vain to arrive at the climax, which is itself a bit anti-climactic. 106 minutes is a bit too long for a movie which is sure about the little it has to offer. There has always been the danger of in making more of things than they actually are, but Masurkar curtails himself, excellently. With full of subtlety, he makes sure to bring out the best of what he had. Existential, ethical, political, personal – this is a blend of all.
Newton is one of those movies which releases in between blockbusters, quietly and suddenly generates the noise, it had to create. Once, that stir is created amongst the audience, Newton leaves quietly, again. It’s one of those reality checks that India needed, in between the glamour and ecstasy of huge budget commercials. This is like an awful tasting medicine, that you don’t like to have, but you need to have – for your health, and for the health of the nation. If you had been too busy with celebration of life, then take some time out and celebrate the fool’s party – this fool here, is too intelligent to handle, beware!
My rating : 3.5/5.
Article by :- Anish Banerjee.