1. Baahubali 2: The Conclusion :
I will keep this at No1, solely because of the landmark it created for Indian Cinema, which was no less than a fantasy. The worthy sequel to the hype of Baahubali, this one is straight out from fairytale stuff. S.S.Rajamouli takes off with Prabhas and Anushka Shetty as he tells you the story of “Katappa ne Baahubali ko kyun mara?” in the most spectacular way, ever done on Indian screens. Though, some actions very illogical, but you won’t need logic here. Read my full review of it : https://critiquesqueblog.wordpress.com/2017/04/28/baahubali-2-indian-cinemas-landmark/
2. Jolly LLB : 2
Akshay Kumar is on a golden touch, and he can never go wrong. Thus the sequel to a wonderful Jolly LLB, is well worth a watch. It is funny, satirical, serious and asks pertinent questions about socio-political conditions of the country. Doing both well in the box office (197cr) and in the critique department, LLB2 is all about a serious court room drama built up through fun-filled sequences.
3. Jagga Jasoos :
Personally, I loved this film. Anurag Basu in his typical best. Set in a Bengal locale and casting some brilliant actors (Except Kaif), the movie is a gem. It is a musical – and the best part is, it has a reason for being so. Though, the 2nd half drags and becomes boring, but again – Jagga takes you on a fun adventure. Saswata Chatterjee – a delight. Read my full review of it : https://critiquesqueblog.wordpress.com/2017/07/20/jagga-jasoos-review-anurag-basus-treat-to-indian-cinema/
4. A Death in the Gunj :
A not so famous film, lost in between few heavyweights – but pretty well made. Konkona Sen Sharma goes behind the camera and brings out the best cat from her bag. It is a coming of age story, about a shy student Shyamal Chatterjee. The holiday and the family trip that the film starts with turns out into something very messy and suspicious. Read my fellow blogger Srobona’s review on it : https://critiquesqueblog.wordpress.com/2017/08/08/a-death-in-the-gunj-as-an-anxious-calm/
5. Newton :
Rajkummar Rao is the finest product of Bollywood of recent times and he takes up this satire in a motif to put a mirror on society, on conducting a vote in a maoist region. It contains all the farce of the so called largest democracy of India. Pankaj Tripathi is a delight, again. Though it is slow and much of nothingness happens, it creates a stir. Lost in the crowd of Judwaa 2. Read my full review of it : https://critiquesqueblog.wordpress.com/2017/10/17/newton-review-break-away-into-reality-from-the-reels-of-cinema/
6. Bareilly Ki Barfi :
Perhaps the sweetest film of the year, and again Rajkummar Rao at the head of it. A very simple plot and a delicately built climax. Though predictable, but enjoyable throughout. Ayushman Khuranna and Kriti Sanon at their best and Pankaj Tripathi again doing wonders. A very Indian locale and brilliant narration by Javed Akhtar. Read my full review of it : https://critiquesqueblog.wordpress.com/2017/08/19/bareilly-ki-barfi-sweetest-cuisine-of-the-year/
7. Toilet : Ek Prem Katha :
You see Akshay Kumar, you know it is a good film. And in this social fable like movie – Kumar delivers a message more than a movie. Bhumi Pednekar, co-operating very ably and though the message is strong, but the movie is futile and parts and falter in its main motif. A very different type of film, and definitely a brave attempt. This is perhaps more of a government initiative than a entertainment process.
8. Subh Mangal Sabdhan :
A film about erectile dysfunction – yes, you heard it right, and this is an Indian film. 2017, already a brave year for cinema in this nation, this alone defies all odds. The old cliched rom-com given a new stage of scientific setback – again an awareness process. Ayushman’s second of the year, and that too for Bhumi – both are fantastic, combined by a brilliant cast.
9. Ittefaq :
Bollywood sees very less of suspense thrillers – and this is one of them. It includes all. The twist in the end, is one of the best, seen in recent times and for sure it will leave you stunned and very less of you can predict the end. Akshaye Khanna steals the show as the cop. Siddharth Malhotra does not though achieve full potential (except when he breaks down in the prison). Sonakshi Sinha is very under-utilised and seems unsuitable.
10. Raees & Tiger Zinda Hai :
Yes, you will need a bit of commercial stuff, to round it off, and ShahRukh Khan and Salman Khan packs punches in both of them, respectively. They both have seen setbacks in the fates of Jab Harry Met Sejal and Tubelight, but have earned box office collections with the show of muscles. SRK in Raees is fantastic. Salman Khan in Tiger Zinda Hai is in his comfortable pair of shoes. Read my review of Tiger Zinda Hai here : https://critiquesqueblog.wordpress.com/2017/12/28/tiger-zinda-hai-review-not-at-all-endangered/
Let us know your pick. Happy New Year.
Article by :- Anish Banerjee.